The information age has not yet finished with us
When Comic Hits the Screen
At last we have movement on The Metal Hurlant TV series.
This is a series essentially produced by Les Humanoids, responsible for the Metal Hurlant magazine of the 1970s and inspirational to the Heavy Metal magazine, the Heavy Metal Movie, Blade Runner, the Fifth Element and a whole raft of stories.
The Metal Hurlant TV has been picked up for broadcast in France and Germany. Negotiations are in progress for The United Kingdom. Each episode is 26 minutes long and it follows the individual story format not unlike The Twilight Zone or Outer limits. I’ve seen the trailer and the visual style is not unlike the green-screen look of the Spartacus TV series.
DVD Review
I picked up the rather old DVD Immortal (AKA Immortal Ad Vitam)
What the hell happened here? I will not even start to describe the plot except to say it involves gods, mutants aliens in a future urban setting, there is a lot of ancient Egyptian stuff happening and it is visually rich.
It confuses me, the plot seems to make no sense but even so the underlying narrative is strangely compelling and the visuals so powerful they overwhelm the urge to just scream and give up.
I never read the original comic; a Bande Desinee called Carnival of the Immortals by Enki Bilial. And it is just as well, because I doubt I would have understood that either.
However, in the stakes of French science fiction; this is a better companion to Blade Runner than any I have seen including: The Fifth Element, Babylon AD and Renaissance. Of course I have to remember that Bilial and his colleagues at Metal Hurlant invented the whole Blade Runner look.
At one point I thought; all mid budget science fiction films should be as bold and risk-taking as this. There is just one thing comparable to this and it’s the Japanese film Cashern; it is the only other film to combine such a bold approach to visuals with an utter disregard for narrative conventions.
I don’t understand this film. But I like it and I’ll have to watch it over and over to know just what I have here.
And Now For Some Indie Action
Reviews are coming through for the indie science fiction film Branded. And the news is… not good. It’s not even mixed it’s all around negative. When we first heard about it seemed to have a lot of potential; a plot not dissimilar to They Live (with hidden aliens manipulating us.) There seemed to be a some real ideas in there about the power of marketing at its consequences, but we’re now hearing that there are problems in the structure, the story telling, that it has a couple of good ideas but its unfocussed, incoherent and both reviews are adamant that it’s unintentionally funny (which is seldom good news). When I saw the trailer (and I tend not to watch trailers on-line) I was concerned it looked cheap (specifically in the area of the FX), but I had no idea this lack of attention to detail would be carried through at every level. This is a great pity because we need more indie science fiction films that are not remakes, sequel or TV adaptations and I was hoping this could be one of the good ones.
It Ain’t The Matrix…
The first reviews have come out for the Wachowskis’ latest feature: The Cloud Atlas. They are very mixed.
Visually it impressed and it even conquered the one challenge we were most concerned about. It weaves the narrative (separated by wide historical periods) coherently.
However the critics don’t think it is as deep or important as it thinks it is. They think it is an ambitious film that does not achieve its goals.
Based on that I think that’s interesting.
This is Not a Rock Video
I have to apologise to all of you. See I heard of the film called “Love” some time ago (hell, it was in last year’s Sci Fi Octoberfest!) but I said nothing. I had a whole lot of reasons; I thought it might be some kind of short (and I only do features…sorry) I thought it might be some kind of vanity project for the rock band Angels and Airwaves (some kind of long-form video), I certainly thought it would never reach the cinemas.
It reached the cinemas, and the critics love it.
I am not entirely sure just what it’s about; it involves an astronaut going up to the International Space Station and then getting stranded there, but it is also juxtaposed against the story of a Union soldier in the American civil war out in the desert. I am assured these narratives come together and make sense in the end.
Critics are comparing it to 2001: A Space Odyssey. Immediately that makes me cautious because 2001 is a hard row to hoe* and no film has come near to its quality. But there you go.
From what I hear the whole thing is somewhat leisurely in its pace, so it’s not for me, but don’t let that discourage you.
Love, a film by William Eubank now in cinemas in the UK.
This year’s “Moon”?
Reviews are coming thick and fast for Looper. The verdict is disturbingly positive. What we can tell about it is that it is not a heavily explained film of time travel, but one which uses the device to tell a character story, and apparently do it very well indeed. The action is well handled as well (which helps). It’s well written, well directed and has great performances by Bruce Willis and Joseph Gordon-Levitt who are convincing playing the same character at different ages.
Multiple reviewers have raved over it: Total Film went batty over it, put it on the cover of the magazine and gave it a feature, Twitch Film called it a future classic, den of Geeks claims it transcends the usual Science fiction action feature…
Most extraordinary is that it has been compared to genuine science fiction classics: 12 Monkeys, even… Blade Runner itself.**
Comic Book Classic Returns
This seems to be the month for revivals, yet another film project seems to be back from the dead; this time the comic book adaptation Y The Last man, it had gone though writers and directors before going into turnaround. But it has a new screenplay from Matthew Federman and Stephen Scaia, New Line Cinema are very excited about it, and they are looking for director.
Not Yet Our Robot Overlords
Rhett Reese and Paul Wernick, the writers of Zombieland have been running rampant ever since that film’s success, penning movies across the fantastic genres: comic book films, Toy related, fairy tale, even straight science fiction and horror. In a word they have been coining it. And now they are working on something close to my heart; robots.
And this one sound mad. The robots have revolted, and failed. The ragtag remainder of their force have retreated to a space station(!) where they plan their counterstrike using human drones raised on the station. But one of their human tools is just a little too human to get with the program.
What did I tell ya? Mad. it’s called Epsilon.
Sony Pictures is trying to buy the rights. I’d actually like to see this made.
God Damn!
It seems like just a few weeks ago I was reporting on the movie Hellbenders, now it actually has a review and it sounds like a hoot.
Based on a Graphic novel it follows a group of priests charged by the Catholic church with ridding the world of demons. The way they do this is inviting the demons to poses them then committing suicide, dragging the hellspawn back to perdition. Yeah, my jaw hit the ground too.
It gets better. In order to ensure each priest is truly hellbound they commit sins on a daily basis and swear like sailors.
This sounds like a screaming hoot. I’m keeping one eye out to see if it will have a UK release.
Going Underground
Russian post-apocalyptic novel Metro 2033 has been optioned by MGM, script will be written by F. Scott Grazier, the unique selling point is that it is set in the
Moscow underground rail system.
Dredd (review)
It’s unfortunate this is also the year of The Raid. There are a remarkable number of correspondences between that film and this one.
And If you’ve already seen The Raid, Dredd may suffer in comparison.
But even if you have there is a lot to admire here.
The look and feel of Dredd is like a reversion to the late seventies or early eighties, gritty concrete brutalism, blasted with graffiti and overlaid with urban grime. we are introduced to the sprawl of Mega City One, a conurbation without suburbs or green space, bordered by a radioactive wasteland called the Cursed Earth. This is no megalithic city, it looks more like a corbussian model gone horribly wrong with its spikes of kilometre-high housing towers jutting from the even less appealing shanty filled plain.
When is significant is what is missing: there are no flying cars (or flying motorcycles for that matter), it is not a neon saturated world, there are not even than many gadgets. This is not Blade Runner. It is grimly realistic.
Controlling this vision of the city as Hades are the Judges. a force empowered to enforce the law as judge jury and executioners in a world where crime is out of control.
Judge Joe Dredd and his rookie, Judge Anderson, enter Peachtree Tower in pursuit of a triple homicide but instead find Ma-Ma a major dealer in the designer drug slo-mo. Attempting to take a witness out of the tower they are trapped and hunted in the building by Ma-Ma’s forces.
And that is about it. Dredd and Anderson fight their way through the building until the climatic confrontation with Ma- Ma.
This is a tersely made thriller with scarcely any fat on it at all. Despite the grit it is beautifully shot, there are some extraordinary scenes, especially during the slo-mo sequences; it almost feels like an art film, and the two aspects; the realistic thriller and the sumptuous cinematography somehow mesh and work.
So yes, it is worth a look. Although I have to mention, it is as gory a science fiction film as has been seen in a decade and a half.
*Don’t say that fast
**Hme..
And if you want some real movie news you know what to do.
And if you want to walk the wild side of genre video try Starburst’s review section
http://www.starburstmagazine.com/reviews/dvd-and-blu-ray-home-entertainment-reviews
I’m Jack Eris and if you know me, you know Jack.